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Dolby Digital cinema
mastering, DCDM and DCP production
Dolby Digital reviewing
cinema with Barco 2K cinema DLP, Dolby CP650 SR-D
and 5.1 monitoring
DigiDesign Protools HD 5.1
audio
Full HD workflow
Mastering with HDCam SR444,
HDCam, D-5, DVCproHD, XDCam, and HDV
Online HD service with
AutoDesk Flame 2008, Smoke 2008, and Avid DS/HD
Offline with Avid Adrenaline
DNx, Final Pro Studio2
Digital Signage and location based mobile CRM
solution
Pre-show mastering and E-cinema solution
3D stereopic Vision
production and post-production
Dolby 3D cinema mastering
Active and Passive polarizing
display
Panarama display, and
circular screen works
Midi location interactive
Digital Signage and location based mobile CRM
solution
Pre-show mastering and E-cinema solution
Restoration and mastering with
da Vinci Revival
da Vinci 2K Plus, and
ToolBox2
Digital Vision DVNR 2K/HD444
2K and 4K mastering with DVS
Clipster
Digital Intermediate 2k, 4K,
with 2, 3, and 4 Perf film work
True Full HD with HDCam
SR 4:4:4, 12 Audio tracks mastering
New ArriLaser film
outfit, handling Cineon, .dpx, Tiff, SGI/RGB,
ProRes, RedCode, Cineform
Film scan with Millennium
2, special 4K and pin registered gates
with Aaton 4 and 3 perf
keycode mastering
Kodak Cineon Genesis Plus
for 6K, and Vistavision work
member of the Digital-X
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